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School Pictures

  • Written and performed by Milo Cramer
  • Directed by Morgan Green
November 08 - December 16, 2023 Peter Jay Sharp Theater
SCHOOL_Carousel 1920 x 960

Faith hates reading, Jane lost her flashcards, and Javier sees no point in studying because of climate change. This playful collection of poem-songs, written and performed by Milo Cramer – a former tutor – paints intimate portraits of ten NYC students fighting to get into competitive schools. School Pictures is a charming musical journal of keen observations which builds to a sweeping meditation on inequality, learning, parenting, and the cruelty of puberty.

Ikechukwu Ufomadu's Amusements, Alexandra Tatarsky's Sad Boys in Harpy Land, and Milo Cramer's School Pictures will be performed in rotation throughout November. 

Creative Team

Taylor Lilly

Lighting Design

Michael Kiley

Sound Design and Music Director

Jo Fernandez

Production Stage Manager

Kelsey Vivian

Rehearsal Stage Manager

School Pictures was developed in association with Immediate Medium.

School Pictures was developed and produced by The Wilma Theater, Philadelphia: Yury Urnov, James Ijames, Morgan Green, Co-Artistic Directors, and Leigh Goldenberg, Managing Director.

Playwrights Horizons' season productions are generously supported by the New York City Department of Cultural Affairs, in partnership with the City Council.

More About School Pictures

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Essays
School Pictures

To Milo, From Deepali


by Deepali Gupta

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Essays

The Tracks of the Tears of Some Clowns, When Everyone's Around


by Eisa Davis

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Essays
School Pictures

The Afterglow of Milo's Show


by David Cale

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Essays
School Pictures

Embodied Writing


by May Treuhaft-Ali

REP 1000 SQUARE
Interviews

In Process: a podcast interview with Milo Cramer, Ikechukwu Ufomadu, and Alexandra Tatarsky


Adam Notes Green
Essays

Notes on "GH" (and a trio of solo works)


by Adam Greenfield

School Pictures is completely wonderful! Milo Cramer is gently riveting.

Sarah Holdren, Vulture

A layered, compassionate view of the striving urban parents and pressured children so routinely distilled to cliché.

Ginia Bellafante, The New York Times